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Conhecida como um polo industrial desde meados da decada de , a cidade de Mulhouse, no leste do pais, langou um projecto de habitagao operaria com residencias na zona limitrofe da cidade, sob a supervisao da Societe Mulhousienne des Cites Ouvrieres.

A climensao media das casas, 47 m 2 , foi considerada generosa na altura, mas, alguns anos mais tarde, veio a revelar-se um problema. O local previsto, I'ilot Schoettle, fica situado no limite da historica cite ouveriere. Em , Nouvel reuniu os outros par- ticipates para o promotor.

O orgamento total para a construgao das sessenta mo- radias previstas cifrava-se em euros. Francois Fontes co de la segunda fase de urbanizacion de la zona de nueve hectareas conocida como ZAC Consuls de Mer, cuya primera seccion cuenta con viviendas firmadas por Rob Krier. Forman parte del encargo de Nouvel varios espacios publicos, un parque de 4,5 hectareas y un aparcamiento de plazas; en este caso, el arqui- tecto colaborara con Francois Fontes. Como acostumbra a hacer, Nouvel ha redactado un texto descriptivo sobre su proyecto en curso.

Lo ha titulado Elle Ella y reza: Vive entre un gran parque y la ciudacl. Esta abierta y es visible, como una enorme puerta abierta transparente. Es de color azul como el cielo, como el mar y como el escudo de armas de Montpe- llier. Su piel es de madera plateada, pero su interior luce otra variedad de madera, calida, de un tono entre la miel y el caramelo.

Rebosa de luz interior. Los espacios publicos se abren a terrazas, mientras que una escalera interior y unos ascensores panoramicos ofrecen vistas sobre el no Lez. Arboles, jardines, agua, luces, sombras, imagenes filtradas, interferencias II progetto e incentrato sulla costruzione di un nuovo edificio municipale nel contesto della seconda fase del programma di sviluppo urbanistico per un'area di nove ettari, la ZAC Consuls de Mer, che nella prima fase include la realizzazione di un nucleo residenziale da parte di Rob Krier.

La commissione assegnata a Nouvel, che in questo caso lavorera in collaborazione con Francois Fontes, prevede la crea- zione di spazi pubblici, un parco di 4,5 ettari e un'area parcheggio con posti macchina. Come e solito fare, Nouvel ha redatto un testo intitolato Elle Lei che descrive questo progetto ancora in cor- so: Lei vive ai margini di un grande par- co e della citta. Lei si lascia vedere come una grande porta aperta e trasparente.

II suo colore e I'azzurro del cielo, del mare e dello stemma di Mont- pellier. La sua pelle e fatta di legno grigio un po' argentato, mentre all'interno ha un'altra essenza, piu satinata, calda, tra miele e caramello. Lei e abitata da una luce interiore. Gli spazi pubblici si prolungano all'estemo nelle terrazze, mentre una scala interna e gli ascensori panoramici offrono la vista sul fiume Lez. Alberi, giardi- ni, acqua, ombre, luci, immagini filtrate, interferenze Este projecto contempla a construcao de urn a nova Camara Municipal no contexto da segunda fase de urbanizacao do complexo de nove hectares ZAC Consuls de Mer, cuja primeira fase inclui residencias projectadas por Rob Krier.

Es- pagos publicos, como urn parque de 4,5 hectares e urn parque de estacionamento para viaturas, fazem parte da missao de Nouvel, que neste projecto conta com a colaboragao de Francois Fontes.

A estrutura en- contra-se aberta na vertical por clois patios e e perfurada na horizontal por vazios que proporcionam vistas transversais.

Como e costume, Nouvel escreveu urn texto descritivo a proposito cleste projecto em construcao. O texto intitula-se Elle Ela: Ela vive entre urn grande parque e a ci- dacle.

Ela e aberta e visivel como uma porta transparente de grandes dimensoes. A sua cor e o azul do ceu, do mar e do brasao de Montpellier. Tern pele de madeira cinzenta prateada, ao passo que no interior ha outra variedade de madeira, quen- te, entre o mel e o caramelo.

Ela esta cheia de luz interior. Os espagos publicos abrem-se para terracos, enquanto que uma escada interior e os elevadores pano- ramicos proporcionam vistas para o rio Lez.

Arvores, jardins, agua, sombra, luz, ima- gens filtradas, interferencia Nouvel crea una vigorosa associazione tra ie forme scure della struttura e I'acqua, disco- standosi dalla maggior parte degli architetti contemporanei, che non si sarebbero arri- schiati a proporre una giustapposizione del genere nel contesto di un edificio municipale del meridione francese.

A poderosa associacao que Nouvel faz entre a agua e as formas escuras do edificio distin- gue-o da maioria dos arquitectos contempo- raneos, que nao se atreveriam a propor este tipo de justaposigao no contexto de um edifi- cio municipal do sul de Franca.

En palabras del propio Nouvel: Circondato dal verde, I'edificio del municipio impone la sua eccezionale presenza. Rodeada por vegetacao, a camara municipal marca uma forte presence. He studied in Paris and received his diploma as an architect from the Ecole des Beaux-Arts in He founded his own firm in in Paris. Recent buildings include the Media Library, Venissieux ; the design of several supermarkets for the M-Preis chain in Austria ; the refurbishment of the Piazza Gramsci, Cinisello Balsamo, Milan ; and the master plan for the Donau City, Vienna En realidad, la caja presenta fachadas elaboradas con clos capas de metal perforado entre las que descansa una tercera capa de vidrio.

Las oficinas se situan en una caja aparte, em- plazada en el tejado de la estructura. En el interior, la mediateca se beneficia de luz natural cenital, generando un espacio mas luminoso de lo que insinua el aspecto ex- terior del edificio.

La mediateca de Venissieux esta dirigida a una comunidad de 56 habitantes situada al sur de Lyon. Al igual que Mantes-la-Jolie, municipio ce- lebre sobre todo por la zona de viviendas de proteccion oficial de Val Fourre, Venis- sieux posee una zona con dificultades similares conocida como la Cite des Minguettes. Quiza no sea casual el hecho de que, a pesar de haberse descrito como un espacio abierto, la mediateca de Venissieux posea un aspecto metalico y cerra- clo.

Perrault, que tambien ha disenado el mobiliario del edificio, lo utiliza para divi- dir los espacios interiores manteniendo no obstante la sensacion general de apertura que pretende conseguir. Con questo progetto, vincitore del concorso pubblico del , Dominique Perrault inizia a uscir fuori da un certo isolamento professionale che aveva fatto se- guito al notevole intervento per la Biblioteca Nazionale di Parigi. In effetti, le facciate clella scatola sono composte da una lamina di metallo immersa in una superficie vetrata.

Una scatola collocata sul- la copertura accoglie gli uffici. L'illuminazione naturale proveniente dall'alto garanti- sce lutninosita agli spazi interni piu di quanto ci si potrebbe aspettare osservando dall'estemo questa mediateca, destinata a una localita di 56 abitanti a sucl di Lione.

Se Mantes la Jolie e conosciuta per la sua zona di case popolari della Val Fourre, anche Venissieux presenta un'area ugualmente problematica nota come la Cite des Minguettes. Forse non e per caso che, malgrado venga descritta come un luogo aperto, la Mediateca di Venissieux ha un aspetto piuttosto chiuso e metallico.

Perrault si e occupato anche degli arredi e li ha utilizzati per clividere gli spazi all'in- terno mantenendo al contempo la sensazione generale di apertura da lui cercata.

Ao veneer urn concurso publico em com este projecto, Dominique Perrault comegou a sair de um certo isolamento profissional em que cai'ra na se- quencia do sen famoso projecto para a Biblioteca Nacional de Franga.

Na verdade, a caixa tern fachadas fei- tas de camadas de vidro e metal perfurado. Os escritorios situam-se noutra caixa ao nivel do telhaclo da estrutura. O edificio clispoe de iluminagao natural vinda de cima, proporcionando um espago mais luminoso do que seria de esperar tendo em conta o aspecto exterior desta mediateca, que se destina a servir uma comuni- dade de 56 pessoas a sul de Lyon. Tal como Mantes la Jolie e mais conhecida pelo bairro social de Val Fourre, Venissieux tambem alberga uma zona problemati- ca conhecida por Cite des Minguettes.

Nao deve ser coincidencia que, apesar de ser descrito como um local aberto, a mediateca de Venissieux tenha um aspecto algo fechado e metalico. Tendo sido tambem o criador do mobiliario, Perrault utili- za as varias pegas para dividir o espago interior ao mesmo tempo que mantem o as- pecto geral de abertura que tanto almeja. En este caso, a transparencia y la opacidad se alternan para crear una identiclad vehemente. Perrault gioca spesso sul contrasto tra superfi- ci chiuse e avvolgenti ed elemenli naturali, un tema proposto attraverso diverse varianti nel progetto della Biblioteca Nazionale di Parigi.

Qui, trasparenza e opacita si alternano attri- buendo aiJ'intervenfo un'identita ben definita. Perrault ja jogou muitas vezes com o contras- te entre superficies fechadas e defensives e a utilizagao da natureza, a semelhanca do que fez na Biblioteca Nacional de Franca em Paris.

Aqui, usa a alternancia de transparencia e opacidade para criar Lima identidade vincada. Dominque Perrault foi catapultado para o estrelato quando urn juri presidi- o por I. Pei o seleccionou para projectar o ultimo e, porventura, mais dificil dos Grand Travaux: Concebido originalmente como urn conjunto de quatros livros abertos, cada urn deles com metros de altura, a biblioteca viu a altura dos seus edificios ser reduzida sob o fogo cruzado de uma intensa polemica.

O modernismo tenaz de Perrault, tantas vezes revestido a malha metalica, mantem-se tao inflexivel como em , quando comecou a trabalhar na Biblioteca.

O melhortermo de comparagao artistico para esta tenacidade poderia residir nas enormes esculturas de ago Corten de Richard Serra. Perrault corre riscos, por vezes desenhando projectos a margem das normas aceites, como fez na biblioteca. Mas sera a configuracao do edificio a que melhor corresponde a fungao de leitura e restauro de livros?

A revolta tambem faz parte da personalidade francesa e Perrault, em conjunto com Rudy Ricciotti, encarna este aspecto da criatividacle arquitectonica deste pais. Com edificios como a LVMH Tower na 57th Street, em Manhattan, ou o centra mu- sical que esta actualmenle a construir no Rio de Janeiro, Portzamparc fez mais por transportar as cores do seu pais para o estrangeiro do que qualquer outro arquitec- to, a excepgao de Nouvel.

O seu modernismo tern urn cunho vincadamente lirico, apesar de algumas excepcoes, como a estrutura pesada da embaixada francesa na Pariser Platz, em Berlim.

No Rio de Janeiro, vai demonstrar a sua admiracao funda- mental pelos arroubos de imaginagao materializados em betao por Oscar Nie- meyer. Os seus desenhos e aguarelas revelam o fundo artistico do seu trabalho, mas a verdadeira base de sustentagao da sua arquitectura e o pensamento que Ihe per- mite evitar classificacoes simplistas.

O modernismo lirico da fase final de Le Corbu- sier, Niemeyer ou Saarinen poderao ja nao estar na vanguarda da arquitectura, mas Portzamparc da uma nova cor e vitalidade a esta tradicao. Embora a arquitectura necessite da ajuda de patronos influentes ou endi- nheirados e, em Franga, acima de tudo, do Governo, a tradicao contestataria do pais facilita o surgimento de personalidades como Rudy Ricciotti.

Dono de um so- taque que nao esconde as suas raizes meridionals, Ricciotti tern por habito fazer afirmacoes surpreendentes ou mesmo tecer cluras criticas aos seus colegas, uma caracteristica rara nesta profissao. Embora fale de rejeitar requisites programaticos ou quebrar moldes, Ricciotti acaba por se vergar a necessidade. O Centra Coreografico Na- cional Aix-en-Provence, , da sua autoria, ergue-se por entre aquilo que parece ser uma teia mascarrada de vigas e colunas esquinadas.

Neste projecto, Ricciotti mostra o potencial que faz dele uma das principals figuras a ter em conta em Franga. Estes arquitectos participam activamente em grandes projectos, tanto em Franga como noutros paises. A mestria tecnica e estetica revelada por estes arquitectos nos seus proprios projectos e demonstrativa do alto nivel atingido pela arte da construgao em Franga. Dedicados quase exclusivamente a projectos financiados por privados, Jean-Paul Viguier, Denis Valode e Jean Pistre sao, de muitos pontos de vista, o epi- tome do racionalismo frances.

Em termos esteticos, os arquitectos franceses nao apresentam grandes dife- rengas em relagao a muitos dos seus colegas europeus, apesar de algumas particu- laridades, como a rejeigao relativa do neo-minimalismo ou de formas extravagantes geradas por computador. Sem a pretensao de confirmar cliches, bem pocle ser que se consiga distinguir na arquitectura um certo espirito de revolta, que tantas vezes emerge nas ruas de Franga durante as manitestagoes poli- ticas.

Rudy Ricciotti demonstra esta tendencia, tal como Matali Crasset, embora esta ultima de uma forma mais suave e colorida. Escusado sera dizer que podiam ter sido escolhido muitos outros arquitectos franceses cheios de talento para esta panoramica geral, mas os cloze atelies aqui apresentados sao reveladores da arqui- tectura dos dias de hoje no pais de Descartes. El aspecto harto cerrado del edificio visto desde el exterior cede paso a unatransparencia mode- rada en el interior que impide sentir cualquier sensacion de claustrofobia entre sus paredes.

Come nel caso clella Biblioteca Nazionale, Perrault dimostra un'evidente abilita nel creare un rapporto armonioso tra esterno e interno. Visto dal di fuori, I'edificio presenta un aspetto piuttosto compatto, ma la discretatrasparenza degli spazi interni riesce ad allontanare la sen- sazione claustrofobica di un ambiente chiuso. Tal como fez na Biblioteca Nacional, Perrault demonstra uma obvia capacidade para harmo- nizar a concepcao do interior e do exterior.

O aspecto fechado do edificio visto do exterior cede a uma transparencia moderada no inte- rior, que evitatoda e qualquersensacao claus- trofobica de clausura. En palabras de Perrault: Aprovechando el entorno natural a orillas del Sena, junto a los nuevos espacios ajardinados, el complejo tiene la voluntad de mejorar las condiciones de vida de los habitantes de Mantes-la-Jolie.

La cittadina di Mantes la Jolie, ubicata a 53 chilometri da Parigi lungo la diret- trice ovest, e la zona clella Val Fourre hanno avuto a lungo una reputazione negati- va malgrado i numerosi programmi di riqualificazione intesi a migliorare le tristi condizioni di vita dei residenti meno avvantaggiati. Grazie al contesto naturale della riva clella Senna e ai nuovi spazi verdi, il complesso si puo proporre come obiettivo il miglioramento delle condi- zioni di vita dei residenti di Mantes la Jolie.

Situada 53 quilometros a oeste de Paris, Mantes la Jolie e a zona de Val Fourre ha muito que sao famosas, apesar dos diversos programas de reconstrucao levados a cabo para melhorar as condicoes de vida da populacao desfavorecida que habita a zona. Nas palavras de Perrault: Tirando partido do enquadramento natural a beira do Sena, em conjunto com novos espacos ajardinados, o complexo pretende vir finalmente melhorar as condicoes de vida dos habitantes de Mantes la Jolie.

Las curvas y las aberturas se alternan con el perimetro externo mas rectilineo del diseno. L'architetto ha risolto la sfida posta da un con- tests urbano piuttosto complesso adottanclo colori e forme che potrebbero essere consi- derati atipici data la sua predilezione per ma- teriali e tonalita piii severi. Curve e aperture si alternano nel pcogetto a un perimetro esterno piu lineare. Dado o contexto urbano baslante dificil em que Ihe pediram para trabalhar, o arquitecto respondeu com cores e formas que poderiam ser consideradas atipicas face as suas fre- quentes opgoes por cores e materials mais austeros.

As curvas e as aberturas alternam com o perimetro exterior mais rectilineo do projecto. Recently completed works are the French Embassy, Berlin ; the Philharmonic concert hall, Luxembourg ; the headquarters of the daily Le Monde, Paris ; and the Champs Libres museum and bookshop, Rennes Christian de Portzamparc was awarded the Pritzker Prize.

El proyecto inclufa la construccion de oficinas, un auditorio con localidades, una cafeteria, un restaurante, un jar- din interior y un aparcamiento, y quedo finalizado en un periodo de 18 meses. El rasgo mas destacado es la nueva fachada construida con viclrio cle Saint Gobain y paneles compuestos de aluminio Reynobond.

De acuerclo con el propio Port- zamparc: La seccion principal del edifi- cio se amplio para compensar esta reduccion cle altura. Un diafano atrio central y otras aberturas subrayan el deseo del arquitecto de dotar a su obra de transpa- rencia. La fachada cle doble revestimiento con viclrio serigrafiado, que representa la portada del diario, revela claramente la identidad del edificio.

La esposa cle Portzamparc, Elizabeth, participo en el diseno interior del jarclfn, la cafeteria y la zona de relax. Completato nel dicembre , I'intervento prevedeva la ristrutturazione clegli uffici del prestigioso quotidiano francese Le Monde. Ubicato lungo il Boule- vard Auguste Blanqui, nel XIII arrondissement di Parigi, il progetto riguardava spazi per uffici, un auditorium con posti a sedere, una caffetteria, un ristorante, un giardino interne e un'area parcheggio, ed e stato realizzato in 18 mesi.

La caratteri- stica pill saliente della ristrutturazione e la nuova facciata formata da pannelli com- positi di alluminio Reynobond e vetro Saint Gobain. La sezione principale e stata oggetto di ampliamento per compensare la riduzione in altezza. Un luminoso atrio centrale e diverse aperture evidenziano la ricerca di tra- sparenza da parte del Larch itetto.

La cloppia pelle della facciata, con la prima pagina del quotidiano serigrafata sulla vetrata, attribuisce un'identita perfettamente definita all'edificio. Portzamparc ha potuto contare sulla collaborazione di sua moglie Eliza- beth per il design interno del giardino, della caffetteria e della zona relax.

Concluido em Dezembro de , este projecto envolveu a reestruturacao dos escritorios do prestigiado diario frances Le Monde. A caracteristica mais visivel da reestruturacao e a nova fachada, feita com vidro Saint Gobain e paineis de alumi- nio Reynobond. Nas palavras de Portzamparc: A seccao principal do edificio foi ampliada para compensar a reducao em i altura.

O atrio central luminoso e outras aberturas dao forca ao desejo de transpa- rencia do arquitecto. A fachada cle camada dupla com uma serigrafia no vidro a re- presentar a primeira pagina do diario nao cleixa duvidas sobre a identidade do edificio.

A mulher de Portzamparc, Elizabeth, colaborou na concepcao dos inte- riores do edificio para o jardim de Inverno, cafetaria e zona de descanso. Poitzamparc ha aggiunto una seconda pelle sul fronte dell'edificio e vi ha fatto serigrafare una versione a grande scala della prima pagi- na del famoso quotidiano francese, attribuen do modernita aH'archileLLum e creando al contempo una presenza che non puo certo sfuggire ai passanti c agli utenti dell'editicio.

Ao adicionar uma camada a frontaria do eclifi- cio e utiliza-la para reproduzir uma versao em grande escala da primeira pagina do tamoso diario gaules, Poitzamparc modern izou a ar- quitectura e proporciona aos transeuntes e aos utentes do edificio uma imagem incontornavel.

La disposicion en hileras horizontales tanto de las vidrieras como del revestimiento interior de lo. Le fasce orizzontali delle vetrate e del rivestimento interno clei livelli al cli sopra del piano terreno attribuiscono continuita spaziale al complesso. A uniao horizontal da superficie vidrada com o reves- timento interior dos pisos acima do res-do- chao cria uma continuidade no espaco. Los espacios museisticos destinados a exposiciones tem- porales se encuentran en la planta baja y en la inmediatamente superior.

Elizabeth de Portzamparc se en cargo del diseno del museo. Completan el proyecto una ca- feteria, una tienda de obsequios, los talleres del museo y sus oficinas administrati- vas y de comisariaclos, ademas cle un auditorio de localidades.

Tal como afirma Portzamparc, clesde el principio se procuro otorgar a cada una de las tres institu- ciones una identidad propia y reconocible, al tiempo que se integrasen en un com- plejo unificado. Las formas basicas son el cono y la piramide invertida. Portzamparc diseno los paneles de re- vestimiento de hormigon en colaboracion con el escultor Martin Wallace. Entre el resto de los materiales utilizados destacan el granito de Lanhenin y otras piedras ex- traidas de canteras locales, que reafirman la vinculacion de esta estructura moder- na con la tierra de Bretana.

II progetto per questo complesso, afficiato tramite concorso nel , riguar- da tre istituti: Gli spazi per le esposizioni temporanee del museo sono situati al piano terra e al pri- mo livello.

Elizabeth de Portzamparc si e occupata del design del museo. Una caf- ferteria, una boutique, i laboratori del museo, gli uffici amministrativi e dei curatori, e un auditorium con posti a sedere completano il complesso di Champs Libres.

Portzamparc sostiene che fin dall'inizio era deciso ad attribute un'identita leggibile e separata ai tre istituti malgrado il carattere unitario del complesso. Portzamparc ha concepito i pannelli di calcestruzzo del rivestimento in collaborazione con lo scul- tore Martin Wallace.

Altri materiali utilizzati sono il granito Lanhenin e diverse pie- tre locali, che stringono i vincoli tra questa struttura moderna e la terra bretone.

Este complexo foi concebido para albergartres instituicoes e foi o resultado de urn concurso realizado em A Biblioteca Municipal ocupa cinco pisos, or- ganizada portemas. O Espaco Ciencia inclui urn planetario com lugares, espa- cos para exposicoes permanentes e temporarios e uma zona infantil.

Os espagos para exposicoes temporarias do museu en- contram-se no res-do-chao e no primeiro piso. A concepgao do museu ficou a car- go de Elizabeth de Portzamparc. A cafetaria, a loja, as oficinas do museu, os servigos administrativos e cle curadoria e, ainda, urn auditorio de lugares completam o Champs Libres. Portzamparc refere que desde o inicio quis dar a cada uma das tres instituigoes uma identidade clistinta e perceptivel, apesar da natureza unificada do complexo.

O Espago Ciencia tern uma forma conica, com o pla- netario esferico no topo. Urn cone e uma piramide invertida sao as formas basicas utilizadas. Portzamparc concebeu os paineis de revestimento em betao em colaboragao com o escultor Martin Wallace. Entre os outros materials usados incluem-se o granito Lanhenin e outras pedras da regiao, reafirmando a ligagao entre esta estrutura moderna e a Bretanha.

Kliint wm I til Nelle immagini e nella sezione a clestra, I'inversione dei volumi e le curve bulbiformi facilitano I'identificazione dei diversi elementi della composizione, che esprime una sensibi- ita decisamente scultorea. A inversao dos volumes e as curvas bolbosas que se podem ver em ambas as imagens, bem como o corte a direita, servem para identificar os varios elementos da composigao, que con- serva urn certo charme escultural.

She received her diploma in and left for Milan, where she worked as a designer. She returned to Paris to work with Philippe Starck and Thomson Multimedia before creating her own office in Matali Crasset has designed furniture and domestic objects, as well as exhibitions and interiors. Her exhibition work includes the "Paris-Milano" and "Bulb" shows for the design magazine Intramuros, as well as the "Tendence" fair in Frankfurt , Archilab in Orleans and several projects for Hermes.

She has also created installations that call into question architectural space "Casaderme," Since , Matali Crasset has been in charge of a new design concept for the Formule 1 chain of hotels. Le finestre aggettanti offrono una veduta pa- noramica dell'area attorno aU'edificio, mentre le scale metalliche e le passerelle sospese partecipano dell'impressione generale cli orchestrata complessita. As janelas inclinadas para fora proporcionam vistas panoramicas da zona que rodeia o edi- ficio, ao passo que as passagens aereas e as escadas metalicas contribuem para a impres- sao global de complexidade orquestrada.

He attended the Ecole Superieure Technique in Geneva, from which he graduated as an engineer in , and the Ecole d'Architecture of Marseille, from which he graduated in He founded his office in Bandol in His early work includes a number of private villas in the south of France.

His first large-scale project was the Stadium in Vitrolles In , he completed the College secondary school in Saint-Ouen; and in a new building for the Luminy Science Faculty in Marseille. Conce I de la Francia meridional, el Centra Coreografico Nacional incluye una sala le danza con localidacles, cuatro estudios de danza de m 2 , m 2 , m 2 y m 2 , espacios de recepcion publicos, las instalaciones entre bastidores y los vestuarios para los bailarines.

Se trata de la sede del Ballet Preljocaj, una reputada compania de danza creada en que ya ha sido objeto de numerosos traslados, siendo el mas sonado su abandono de Toulon en mayo de , despues de que la extrema derecha se impusiera en las elecciones municipales.

El aspecto inusitado del edificio, un entramado de vidrio y hormigon armado negro, da fe de la inventi- va de Ricciotti. Angelin Preljocaj describe la estructura como sigue: Se trata de un lugar para la danza, donde se promueve la creacion desde los primeros ensayos hasta la noche de la actuacion. Se trata de un hogar para el arte de la danza, una disciplina cuya continua lucha por subsistir ha acabado equipa- randola con las artes marciales.

Inteso come una vetrina dedicata alia danza, il Centra Coreografico Naziona- le, ubicato ad Aix-en-Provence, storica citta del meridione francese, accoglie: II complesso ospita il Ballet Preljocaj, una nota compagnia di danza creata nel che ha cambia- ,to sede in numerose occasioni, come nel maggio , quando lascio Tolone in se- guito alia vittoria deH'estrema destra nelle elezioni municipali.

L'edificio si presenta come una griglia di calcestruzzo armato nero e vetro, e il suo aspetto sorprendente denota I'intervento della creativita di Ricciotti.

Un luogo dedicato alia danza che sostiene I'atto creativo dalla primissima prova fino alia sera della rappresenta- zione vera e propria. Un luogo, una casa per quest'arte che tanto ha clovuto lottare per sopravvivere da somigliare quasi a un'arte marziale. Pensado como uma montra da danga para a historica cidade de Aix-en-Pro- vence, no sul de Franca, o Centra Coreografico Nacional dispoe de urn teatro de danga com lugares, quatro estudios de danga m 2 , m 2 , m 2 e m 2 , espacos publicos para recepgoes, bastidores e balnearios para os bailarinos.

A companhia residente e o Ballet Preljocaj, uma afamada companhia de danga cria- da em que ja mudou varias vezes de casa, tendo abandonado Toulon em Maio de quando das eleicoes autarquicas saiu urn resultado favoravel a extre- ma direita. Marcada por uma teia de vidro e betao armado preto, o invulgar aspec- to do edificio denota a presenca criativa de Ricciotti.

E urn lugar para a danga, onde a criagao e apoiada cleste os primeiros ensaios ate a noite da actuagao. Urn lugar, uma casa para arte da danga, cuja luta constante pela existencia ja equiparou a dan- ga contemporanea a uma arte marcial.

Nelle folografie, scattate prima deH'inaugura- zione, I'esterno annerito potrebbe far pensare a un edificio in fase di costruzione, ma in realta Ricciotti cerca chiaramente di sfidare il tradi- zionale buonsenso, in particolare nel contesto di una struttura dedicata alia cultura.

O exterior escurecido da estrutura poderia fazer lembrar urn edificio incompleto nestas fotografias tiradas antes da inauguracao, mas, na verdade, Ricciotti esta objectivamente a tentar por em causa a sabedoria convencio- nal, em especial no contexto de urn edificio para actividades cullurais. He received his architecture degree in from the Ecole des Beaux-Arts in Paris and taught there from to Today the office employs up to persons and provides interior, architectural and urban design as well as engineering services.

Situado junto al mar Mediterraneo y la Promenade des Anglais, el famoso pa- seo maritime de Niza, el hotel se construyo en colaboracion con los empresarios Phi- lippe Chapelet y Patrick Elouarghi en un edificio de los anos treinta que antano habi'a albergado una pension. Las 38 habitaciones del hotel se dividen en nueve tipos dife- rentes, y se han creado con la intention explicita de desafiar cualquier idea precon- cebida en cuanto a diseno y uso del espacio. En teoria, las habitaciones de los huespedes se seleccionan en funcion de un cuestionario que estos cleben rellenary que determina el diseno mas adecuado para sus personalidades.

Las mesas se con- vierten en camas y las camas en baneras, mientras Crasset se inclina poderosamente hacia formas innovadoras en cuanto a la organization de interiores. El Happy Bar, situado en el centro del hotel, bana a los vi- sitantes con los colores saturados tan tipicos de esta arquitecta y con audiovisuales parcialmente realizados en su despacho.

En una iniciativa relacionada con este hotel, Crasset creo Hometrack, un sistema que permite a los espectadores programar sus obras de arte contemporaneo favoritas para visualizarlas en un televisor con una co- nexion telefonica digital. La vajilla de porcelana blanca para las cenas, denominada Link, que Crasset diseno para el Hi fue confection ad a por la Manufacture de Porcelaine de Monaco.

Cada servicio consta de cuatro recipientes, con un cuenco que hace las veces de taza, una taza de te que sirve de plato hondo y asi sucesivamente. La disenadora especifica incluso los modales optimos para comer en su concepto de diseno.

F Communications, un sello de musica electronicafrances, se encargo de crear el entorno sonoro para el hotel bajo la supervision de Crasset. Ubi- cato vicino alia costa del Mediterraneo e alia Promenade des Anglais, il piu celebre lungomare di Nizza, I'hotel e stato realizzato in collaborazione con gli imprenditori Philippe Chapelet e Patrick Elouarghi in un edificio degli anni Trenta che in passato era occLipato da una pensione.

Le 38 camere della struttura presentano nove tipologie different! In teoria, per I'assegnazione delle camere, i clienti sono invitati a riempire un questionario inteso a determinare lo stile che meglio si adatta alia loro personalita. Most people associate it with the steel industry, smog, pollution, etc. It is actually quite beautiful. Thanks for sharing your visit. Was that Irving Street or Broadway?

I would like to publicly acknowledge and thank the many talented students of Dieruff High School for their outstanding presentation of "Hairspray. They sang and danced with such energy, spirit and enthusiasm; I was moved to tears as my heart soared with pride for these hardworking and extremely talented kids. The thunderous standing ovation they received said it all, and they deserved every shining moment of it.

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But their success was also their undoing. Counting the Beat was a huge hit in '81 but they couldn't follow through with another single or live shows. They broke up in ' In '87, at the suggestion of Neil Finn in whose house he was living, Hillman was taken into a cornerstone Australian rock band, Midnight Oil. With Peter Garrett's decision to officially leave the band last year he is now pursuing a parliamentary seat for Labor Hillman moved back here eight months ago, has recorded with the Finn brothers in the States for their forthcoming album, and is currently recording with Dave Dobbyn.

Time for a chat. What's the one thing about a life in rock'n'roll that no one warns you about? That you have got to be prepared to spend 10 years on the bottom of the pile making less money than anyone else. So the advice is, "Start young". So you can be in a band like the Oils which has sold 2. And you've got to attend to things really well. I've been in bands where you go into a music shop and take things on credit and don't think who's paying for it.

But at some point there's a summary and you've got to square things up. Do you have copies of all those albums and singles you played on? A lot I do, actually. The 70s New Zealand stuff I'm missing a little bit.

I had a flat in Parnell that got knocked off so I lost a bit of stuff, so it's not too bad. And now it's been released on CD. Do you ever just have a guilty pleasure night when the missus is out and play them to yourself and dance like a lunatic?

In fact they live in a big silver trunk in the garage. There's our record collection and then there's work. You'll find none of them in our house or on the shelf. There's a couple of them on the iPod and that's about it. So you consider your stuff work and other people's music pleasure? Yeah, because if I put someone else's record on I don't have the memories. One of our own albums means you flash back to the time and maybe reflect on your life then and where you did it.

Not always happy memories, then? Some are better than others. Some records can be tedious to make and some a pleasure. It'll always be that way.

Was it too politically correct for sex and drugs and rock'n'roll? It had its moments. Obviously someone like Peter was always out there in the public eye so had a clean slate, but we had road crews and tours. It was still a rock band. Peter Garrett is standing for parliament. You know the man and his politics. Would you vote for him? Yeah, but I dunno about the Labor Party in Australia. That was a bit of a shock.

I actually thought he would appear doing something for the Greens, but I haven't had much contact with him in the past two years. A few business emails and that's about it. I find it intriguing in one comment he said he'd mellowed with age on a couple of his stands.

I guess if anyone joins a major party as a back bencher then they have to adhere to party policies. But we'll see in years to come. I guess he'll make a play and knock everyone else out.

You've seen that before then? You had a side project in the Oils, the Hunting Party. Not really, the Oils took a year off we did it a couple of times and I got immensely bored. I became sick of being alone in my home studio. So I got together with a talented piano player, Chris Abrahams, and put that together. I'd cruised through the first three months of summer and thought it was fantastic but once winter set in I got lonely. The phone never rang.

It would always ring when we were touring because people would want to be on the guest list or get a copy of something. As soon as we took time off it stopped. That's a result of nine months touring: The nature of rock'n'roll is you lose contact with friends and family because you are gone for so long. I've moved back here and it's been amazing, re establishing relationships which had been dormant for 15 plus years.

You're recording with Dave Dobbyn now. Do you have time to do your own thing at all or is it taken up with other commitments? I sometimes think I should do something but I don't work that well on my own. I'm not that disciplined. I work better in rooms with no windows; I find myself gazing out the window watching the people next door excavating their garage. I'm better off teamed up with somebody.

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Cada uma destas residencias e diferente. As divisorias de madeira entrelacada dao a impressao de que cada residente esta num grande jardim. Os jardins trapezoidais, cujo formato se inspira na configuracao geral do lote, pretendem contrariara clisposicao ortogonal da Cite Manifeste. Embora o as- pecto global cleste complexo cle apartamentos seja deveras rude, bem ao estilo de outros projectos de habitacao social de Jean Nouvel, proporciona abertura e lumi- nosidade, assim como uma qualidade cle arquitectura que nao e costume encon- trar em casas com rendas tao baixas.

Nelle sezioni in basso, un'architettura dall'a- spetto metallico riveste spazi aperti ed elevati. A aparencia metalica da arquitectura cobre os espacos abertos e altos que se podem ver nos cortes abaixo apresentados. BSWBSWBBWtoSwW El aspecto rectilineo y relativamente tosco ge- nera espacios habitables agradables, en parte gracias a las generosas vidrieras y a los altos techos y entreplantas que se aprecian en las imagenes inferiores. Un aspetto relativamente duro e lineare caratterizza la gradevole zona giorno, grazie in parte alle generose vetrate, agli alti soffitti e agli ammezzati visibili nelle immagini in basso.

O aspecto rectilmeo e relativamente austero proporciona espacos habitacionais agrada- veis, conseguidos, em parte, gracas a superfi- cie vidrada generosa, aos tectos altos e aos mezaninos que se podem ver nas imagens abaixo apresentadas.

Este brilhante antigo aluno da elitista Ecole Polytechnique e simultaneamente engenheiro e arquitecto, tendo contribuido mais para a reclefinigao do transporte ferroviario em Franca e noutros locais do que qualquer outro arquitecto vivo. Na qualidade de arquitecto- chefe da SNCF, foi responsavel nao so pela moclemizagao de estagoes tao ilustres como a Care du Nord ou a Gare Montparnasse em Paris, mas tambem pela criacao de uma serie de novas estagoes para as linhas do TCV que atravessam o pais de norte a sul.

Ostentando urn estilo mais contido do que Santiago Calatrava, Duthil- leul reformulou o espaco da estacao do caminho-de-ferro e tomou-o urn local aprazivel, onde a luz e os espacos amplos sao a regra e nao a excepcao.

A mestria tecnica de Duthilleul e a sua colaboracao com a poderosa empresa monopolista francesa permitiram-lhe estender a sua accao a outras paragens, desenvolvendo projectos na China e em muitos outros paises. Alem disso, realizou outros projec- tos, nos quais se incluem edificios de escritorios e espacos religiosos, como a igre- jaaqui publicada. Manuelle Gautrand nasceu em e conheceu as luzes da ribalta de forma abrupta, quando foi seleccionada para participar no concurso lancado por Frangois Pinault para urn novo museu de arte contemporanea.

Alem dos projectos do Centra Administrative de Saint-Etienne e do alargamento e remo- clelagao do Museu de Arte Moderna de Lille, Manuelle Gautrand ganhou urn pro- jecto de grande visibilidacle em Paris. Em , o fabricante automovel Citroen instalou urn showroom no numero 42 dos Campos Elisios.

Em , a empresa en- comendou ao projectista da fabrica, Ravaze, e ao respectivo director artistico, Pier- re Louys, a reformulacao do edificio usando um estilo que foi considerado abonatorio para a marca ate Em , apos albergar um restaurante durante quase vinte anos, a marca decidiu lancar um concurso internacional de design, pois o showroom da Citroen ja nao estava a altura das suas funcoes. Nesse concurso par- ticiparam figuras como Zaha Hadid, Daniel Libeskind e Christian de Portzamparc, mas a vencedora foi Manuelle Gautrand, que reconstruiu na Integra o espaco de metros quadrados.

O sistema de plataformas permite uma utilizacao total da consideravel altura interior, sem com isso repartir o espaco.

E, provavelmente, a face mais bonita do cartesianismo frances. Em conjunto com outras figuras como Manuelle Gautrand, representam a geracao ascendente da arquitectura francesa. Dominique Jakob e Brendan MacFarlane nao formam a empresa francesa mais convencional deste grupo. Conheceram-se no escritorio da Morphosis em Los Angeles. Um olhar pela lista dos projectos mais recentes deste arquitecto e bem revelador da notoriedacle internacional que ja atingiu. A sua falica Torre Agbar, implantada na principal via de Barcelona, a Diagonal, foi inaugurada no dia 16 de Setembro de Dez clias mais tarde, a ampliacao do centra de arte contemporanea Reina Sofia, tambem da sua autoria, abriu as portas a duras criticas.

Ao mesmo tempo que concluia uma torre de 44 pisos no Qatar e um predio de apartamentos no Soho, em Nova lorque, Nouvel completou um dos mais importantes edificios novos construidos em Franga nos ultimos anos: Quatro dias depois da inauguragao do museu, em Junho, ja se encontrava em Minneapolis para a inau- guragao do Guthrie Theater. Nouvel nao deixa o grande publico nem os crfticos indife rentes: Embora a modestia possa nao ser uma das suas maiores qualidades, assiste a Nouvel o cli- reito de sublinhar o facto de o seu trabalho ter quebrado quase toclas as conven- goes da arquitectura contemporanea.

Conhecida como um polo industrial desde meados da decada de , a cidade de Mulhouse, no leste do pais, langou um projecto de habitagao operaria com residencias na zona limitrofe da cidade, sob a supervisao da Societe Mulhousienne des Cites Ouvrieres.

A climensao media das casas, 47 m 2 , foi considerada generosa na altura, mas, alguns anos mais tarde, veio a revelar-se um problema. O local previsto, I'ilot Schoettle, fica situado no limite da historica cite ouveriere. Em , Nouvel reuniu os outros par- ticipates para o promotor. O orgamento total para a construgao das sessenta mo- radias previstas cifrava-se em euros. Francois Fontes co de la segunda fase de urbanizacion de la zona de nueve hectareas conocida como ZAC Consuls de Mer, cuya primera seccion cuenta con viviendas firmadas por Rob Krier.

Forman parte del encargo de Nouvel varios espacios publicos, un parque de 4,5 hectareas y un aparcamiento de plazas; en este caso, el arqui- tecto colaborara con Francois Fontes. Como acostumbra a hacer, Nouvel ha redactado un texto descriptivo sobre su proyecto en curso.

Lo ha titulado Elle Ella y reza: Vive entre un gran parque y la ciudacl. Esta abierta y es visible, como una enorme puerta abierta transparente. Es de color azul como el cielo, como el mar y como el escudo de armas de Montpe- llier.

Su piel es de madera plateada, pero su interior luce otra variedad de madera, calida, de un tono entre la miel y el caramelo. Rebosa de luz interior. Los espacios publicos se abren a terrazas, mientras que una escalera interior y unos ascensores panoramicos ofrecen vistas sobre el no Lez. Arboles, jardines, agua, luces, sombras, imagenes filtradas, interferencias II progetto e incentrato sulla costruzione di un nuovo edificio municipale nel contesto della seconda fase del programma di sviluppo urbanistico per un'area di nove ettari, la ZAC Consuls de Mer, che nella prima fase include la realizzazione di un nucleo residenziale da parte di Rob Krier.

La commissione assegnata a Nouvel, che in questo caso lavorera in collaborazione con Francois Fontes, prevede la crea- zione di spazi pubblici, un parco di 4,5 ettari e un'area parcheggio con posti macchina. Come e solito fare, Nouvel ha redatto un testo intitolato Elle Lei che descrive questo progetto ancora in cor- so: Lei vive ai margini di un grande par- co e della citta.

Lei si lascia vedere come una grande porta aperta e trasparente. II suo colore e I'azzurro del cielo, del mare e dello stemma di Mont- pellier. La sua pelle e fatta di legno grigio un po' argentato, mentre all'interno ha un'altra essenza, piu satinata, calda, tra miele e caramello. Lei e abitata da una luce interiore. Gli spazi pubblici si prolungano all'estemo nelle terrazze, mentre una scala interna e gli ascensori panoramici offrono la vista sul fiume Lez.

Alberi, giardi- ni, acqua, ombre, luci, immagini filtrate, interferenze Este projecto contempla a construcao de urn a nova Camara Municipal no contexto da segunda fase de urbanizacao do complexo de nove hectares ZAC Consuls de Mer, cuja primeira fase inclui residencias projectadas por Rob Krier. Es- pagos publicos, como urn parque de 4,5 hectares e urn parque de estacionamento para viaturas, fazem parte da missao de Nouvel, que neste projecto conta com a colaboragao de Francois Fontes.

A estrutura en- contra-se aberta na vertical por clois patios e e perfurada na horizontal por vazios que proporcionam vistas transversais. Como e costume, Nouvel escreveu urn texto descritivo a proposito cleste projecto em construcao. O texto intitula-se Elle Ela: Ela vive entre urn grande parque e a ci- dacle. Ela e aberta e visivel como uma porta transparente de grandes dimensoes. A sua cor e o azul do ceu, do mar e do brasao de Montpellier. Tern pele de madeira cinzenta prateada, ao passo que no interior ha outra variedade de madeira, quen- te, entre o mel e o caramelo.

Ela esta cheia de luz interior. Os espagos publicos abrem-se para terracos, enquanto que uma escada interior e os elevadores pano- ramicos proporcionam vistas para o rio Lez. Arvores, jardins, agua, sombra, luz, ima- gens filtradas, interferencia Nouvel crea una vigorosa associazione tra ie forme scure della struttura e I'acqua, disco- standosi dalla maggior parte degli architetti contemporanei, che non si sarebbero arri- schiati a proporre una giustapposizione del genere nel contesto di un edificio municipale del meridione francese.

A poderosa associacao que Nouvel faz entre a agua e as formas escuras do edificio distin- gue-o da maioria dos arquitectos contempo- raneos, que nao se atreveriam a propor este tipo de justaposigao no contexto de um edifi- cio municipal do sul de Franca. En palabras del propio Nouvel: Circondato dal verde, I'edificio del municipio impone la sua eccezionale presenza. Rodeada por vegetacao, a camara municipal marca uma forte presence. He studied in Paris and received his diploma as an architect from the Ecole des Beaux-Arts in He founded his own firm in in Paris.

Recent buildings include the Media Library, Venissieux ; the design of several supermarkets for the M-Preis chain in Austria ; the refurbishment of the Piazza Gramsci, Cinisello Balsamo, Milan ; and the master plan for the Donau City, Vienna En realidad, la caja presenta fachadas elaboradas con clos capas de metal perforado entre las que descansa una tercera capa de vidrio. Las oficinas se situan en una caja aparte, em- plazada en el tejado de la estructura.

En el interior, la mediateca se beneficia de luz natural cenital, generando un espacio mas luminoso de lo que insinua el aspecto ex- terior del edificio. La mediateca de Venissieux esta dirigida a una comunidad de 56 habitantes situada al sur de Lyon. Al igual que Mantes-la-Jolie, municipio ce- lebre sobre todo por la zona de viviendas de proteccion oficial de Val Fourre, Venis- sieux posee una zona con dificultades similares conocida como la Cite des Minguettes.

Quiza no sea casual el hecho de que, a pesar de haberse descrito como un espacio abierto, la mediateca de Venissieux posea un aspecto metalico y cerra- clo.

Perrault, que tambien ha disenado el mobiliario del edificio, lo utiliza para divi- dir los espacios interiores manteniendo no obstante la sensacion general de apertura que pretende conseguir.

Con questo progetto, vincitore del concorso pubblico del , Dominique Perrault inizia a uscir fuori da un certo isolamento professionale che aveva fatto se- guito al notevole intervento per la Biblioteca Nazionale di Parigi. In effetti, le facciate clella scatola sono composte da una lamina di metallo immersa in una superficie vetrata.

Una scatola collocata sul- la copertura accoglie gli uffici. L'illuminazione naturale proveniente dall'alto garanti- sce lutninosita agli spazi interni piu di quanto ci si potrebbe aspettare osservando dall'estemo questa mediateca, destinata a una localita di 56 abitanti a sucl di Lione. Se Mantes la Jolie e conosciuta per la sua zona di case popolari della Val Fourre, anche Venissieux presenta un'area ugualmente problematica nota come la Cite des Minguettes.

Forse non e per caso che, malgrado venga descritta come un luogo aperto, la Mediateca di Venissieux ha un aspetto piuttosto chiuso e metallico. Perrault si e occupato anche degli arredi e li ha utilizzati per clividere gli spazi all'in- terno mantenendo al contempo la sensazione generale di apertura da lui cercata.

Ao veneer urn concurso publico em com este projecto, Dominique Perrault comegou a sair de um certo isolamento profissional em que cai'ra na se- quencia do sen famoso projecto para a Biblioteca Nacional de Franga. Na verdade, a caixa tern fachadas fei- tas de camadas de vidro e metal perfurado. Os escritorios situam-se noutra caixa ao nivel do telhaclo da estrutura.

O edificio clispoe de iluminagao natural vinda de cima, proporcionando um espago mais luminoso do que seria de esperar tendo em conta o aspecto exterior desta mediateca, que se destina a servir uma comuni- dade de 56 pessoas a sul de Lyon. Tal como Mantes la Jolie e mais conhecida pelo bairro social de Val Fourre, Venissieux tambem alberga uma zona problemati- ca conhecida por Cite des Minguettes.

Nao deve ser coincidencia que, apesar de ser descrito como um local aberto, a mediateca de Venissieux tenha um aspecto algo fechado e metalico. Tendo sido tambem o criador do mobiliario, Perrault utili- za as varias pegas para dividir o espago interior ao mesmo tempo que mantem o as- pecto geral de abertura que tanto almeja. En este caso, a transparencia y la opacidad se alternan para crear una identiclad vehemente.

Perrault gioca spesso sul contrasto tra superfi- ci chiuse e avvolgenti ed elemenli naturali, un tema proposto attraverso diverse varianti nel progetto della Biblioteca Nazionale di Parigi. Qui, trasparenza e opacita si alternano attri- buendo aiJ'intervenfo un'identita ben definita. Perrault ja jogou muitas vezes com o contras- te entre superficies fechadas e defensives e a utilizagao da natureza, a semelhanca do que fez na Biblioteca Nacional de Franca em Paris. Aqui, usa a alternancia de transparencia e opacidade para criar Lima identidade vincada.

Dominque Perrault foi catapultado para o estrelato quando urn juri presidi- o por I. Pei o seleccionou para projectar o ultimo e, porventura, mais dificil dos Grand Travaux: Concebido originalmente como urn conjunto de quatros livros abertos, cada urn deles com metros de altura, a biblioteca viu a altura dos seus edificios ser reduzida sob o fogo cruzado de uma intensa polemica.

O modernismo tenaz de Perrault, tantas vezes revestido a malha metalica, mantem-se tao inflexivel como em , quando comecou a trabalhar na Biblioteca. O melhortermo de comparagao artistico para esta tenacidade poderia residir nas enormes esculturas de ago Corten de Richard Serra. Perrault corre riscos, por vezes desenhando projectos a margem das normas aceites, como fez na biblioteca. Mas sera a configuracao do edificio a que melhor corresponde a fungao de leitura e restauro de livros?

A revolta tambem faz parte da personalidade francesa e Perrault, em conjunto com Rudy Ricciotti, encarna este aspecto da criatividacle arquitectonica deste pais. Com edificios como a LVMH Tower na 57th Street, em Manhattan, ou o centra mu- sical que esta actualmenle a construir no Rio de Janeiro, Portzamparc fez mais por transportar as cores do seu pais para o estrangeiro do que qualquer outro arquitec- to, a excepgao de Nouvel.

O seu modernismo tern urn cunho vincadamente lirico, apesar de algumas excepcoes, como a estrutura pesada da embaixada francesa na Pariser Platz, em Berlim.

No Rio de Janeiro, vai demonstrar a sua admiracao funda- mental pelos arroubos de imaginagao materializados em betao por Oscar Nie- meyer. Os seus desenhos e aguarelas revelam o fundo artistico do seu trabalho, mas a verdadeira base de sustentagao da sua arquitectura e o pensamento que Ihe per- mite evitar classificacoes simplistas.

O modernismo lirico da fase final de Le Corbu- sier, Niemeyer ou Saarinen poderao ja nao estar na vanguarda da arquitectura, mas Portzamparc da uma nova cor e vitalidade a esta tradicao. Embora a arquitectura necessite da ajuda de patronos influentes ou endi- nheirados e, em Franga, acima de tudo, do Governo, a tradicao contestataria do pais facilita o surgimento de personalidades como Rudy Ricciotti.

Dono de um so- taque que nao esconde as suas raizes meridionals, Ricciotti tern por habito fazer afirmacoes surpreendentes ou mesmo tecer cluras criticas aos seus colegas, uma caracteristica rara nesta profissao. Embora fale de rejeitar requisites programaticos ou quebrar moldes, Ricciotti acaba por se vergar a necessidade.

O Centra Coreografico Na- cional Aix-en-Provence, , da sua autoria, ergue-se por entre aquilo que parece ser uma teia mascarrada de vigas e colunas esquinadas. Neste projecto, Ricciotti mostra o potencial que faz dele uma das principals figuras a ter em conta em Franga. Estes arquitectos participam activamente em grandes projectos, tanto em Franga como noutros paises. A mestria tecnica e estetica revelada por estes arquitectos nos seus proprios projectos e demonstrativa do alto nivel atingido pela arte da construgao em Franga.

Dedicados quase exclusivamente a projectos financiados por privados, Jean-Paul Viguier, Denis Valode e Jean Pistre sao, de muitos pontos de vista, o epi- tome do racionalismo frances. Em termos esteticos, os arquitectos franceses nao apresentam grandes dife- rengas em relagao a muitos dos seus colegas europeus, apesar de algumas particu- laridades, como a rejeigao relativa do neo-minimalismo ou de formas extravagantes geradas por computador.

Sem a pretensao de confirmar cliches, bem pocle ser que se consiga distinguir na arquitectura um certo espirito de revolta, que tantas vezes emerge nas ruas de Franga durante as manitestagoes poli- ticas. Rudy Ricciotti demonstra esta tendencia, tal como Matali Crasset, embora esta ultima de uma forma mais suave e colorida.

Escusado sera dizer que podiam ter sido escolhido muitos outros arquitectos franceses cheios de talento para esta panoramica geral, mas os cloze atelies aqui apresentados sao reveladores da arqui- tectura dos dias de hoje no pais de Descartes. El aspecto harto cerrado del edificio visto desde el exterior cede paso a unatransparencia mode- rada en el interior que impide sentir cualquier sensacion de claustrofobia entre sus paredes.

Come nel caso clella Biblioteca Nazionale, Perrault dimostra un'evidente abilita nel creare un rapporto armonioso tra esterno e interno. Visto dal di fuori, I'edificio presenta un aspetto piuttosto compatto, ma la discretatrasparenza degli spazi interni riesce ad allontanare la sen- sazione claustrofobica di un ambiente chiuso. Tal como fez na Biblioteca Nacional, Perrault demonstra uma obvia capacidade para harmo- nizar a concepcao do interior e do exterior.

O aspecto fechado do edificio visto do exterior cede a uma transparencia moderada no inte- rior, que evitatoda e qualquersensacao claus- trofobica de clausura. En palabras de Perrault: Aprovechando el entorno natural a orillas del Sena, junto a los nuevos espacios ajardinados, el complejo tiene la voluntad de mejorar las condiciones de vida de los habitantes de Mantes-la-Jolie.

La cittadina di Mantes la Jolie, ubicata a 53 chilometri da Parigi lungo la diret- trice ovest, e la zona clella Val Fourre hanno avuto a lungo una reputazione negati- va malgrado i numerosi programmi di riqualificazione intesi a migliorare le tristi condizioni di vita dei residenti meno avvantaggiati.

Grazie al contesto naturale della riva clella Senna e ai nuovi spazi verdi, il complesso si puo proporre come obiettivo il miglioramento delle condi- zioni di vita dei residenti di Mantes la Jolie. Situada 53 quilometros a oeste de Paris, Mantes la Jolie e a zona de Val Fourre ha muito que sao famosas, apesar dos diversos programas de reconstrucao levados a cabo para melhorar as condicoes de vida da populacao desfavorecida que habita a zona.

Nas palavras de Perrault: Tirando partido do enquadramento natural a beira do Sena, em conjunto com novos espacos ajardinados, o complexo pretende vir finalmente melhorar as condicoes de vida dos habitantes de Mantes la Jolie. Las curvas y las aberturas se alternan con el perimetro externo mas rectilineo del diseno. L'architetto ha risolto la sfida posta da un con- tests urbano piuttosto complesso adottanclo colori e forme che potrebbero essere consi- derati atipici data la sua predilezione per ma- teriali e tonalita piii severi.

Curve e aperture si alternano nel pcogetto a un perimetro esterno piu lineare. Dado o contexto urbano baslante dificil em que Ihe pediram para trabalhar, o arquitecto respondeu com cores e formas que poderiam ser consideradas atipicas face as suas fre- quentes opgoes por cores e materials mais austeros.

As curvas e as aberturas alternam com o perimetro exterior mais rectilineo do projecto. Recently completed works are the French Embassy, Berlin ; the Philharmonic concert hall, Luxembourg ; the headquarters of the daily Le Monde, Paris ; and the Champs Libres museum and bookshop, Rennes Christian de Portzamparc was awarded the Pritzker Prize. El proyecto inclufa la construccion de oficinas, un auditorio con localidades, una cafeteria, un restaurante, un jar- din interior y un aparcamiento, y quedo finalizado en un periodo de 18 meses.

El rasgo mas destacado es la nueva fachada construida con viclrio cle Saint Gobain y paneles compuestos de aluminio Reynobond. De acuerclo con el propio Port- zamparc: La seccion principal del edifi- cio se amplio para compensar esta reduccion cle altura.

Un diafano atrio central y otras aberturas subrayan el deseo del arquitecto de dotar a su obra de transpa- rencia. La fachada cle doble revestimiento con viclrio serigrafiado, que representa la portada del diario, revela claramente la identidad del edificio. La esposa cle Portzamparc, Elizabeth, participo en el diseno interior del jarclfn, la cafeteria y la zona de relax. Completato nel dicembre , I'intervento prevedeva la ristrutturazione clegli uffici del prestigioso quotidiano francese Le Monde.

Ubicato lungo il Boule- vard Auguste Blanqui, nel XIII arrondissement di Parigi, il progetto riguardava spazi per uffici, un auditorium con posti a sedere, una caffetteria, un ristorante, un giardino interne e un'area parcheggio, ed e stato realizzato in 18 mesi.

La caratteri- stica pill saliente della ristrutturazione e la nuova facciata formata da pannelli com- positi di alluminio Reynobond e vetro Saint Gobain.

La sezione principale e stata oggetto di ampliamento per compensare la riduzione in altezza. Un luminoso atrio centrale e diverse aperture evidenziano la ricerca di tra- sparenza da parte del Larch itetto. La cloppia pelle della facciata, con la prima pagina del quotidiano serigrafata sulla vetrata, attribuisce un'identita perfettamente definita all'edificio. Portzamparc ha potuto contare sulla collaborazione di sua moglie Eliza- beth per il design interno del giardino, della caffetteria e della zona relax.

Concluido em Dezembro de , este projecto envolveu a reestruturacao dos escritorios do prestigiado diario frances Le Monde. A caracteristica mais visivel da reestruturacao e a nova fachada, feita com vidro Saint Gobain e paineis de alumi- nio Reynobond.

Nas palavras de Portzamparc: A seccao principal do edificio foi ampliada para compensar a reducao em i altura. O atrio central luminoso e outras aberturas dao forca ao desejo de transpa- rencia do arquitecto. A fachada cle camada dupla com uma serigrafia no vidro a re- presentar a primeira pagina do diario nao cleixa duvidas sobre a identidade do edificio.

A mulher de Portzamparc, Elizabeth, colaborou na concepcao dos inte- riores do edificio para o jardim de Inverno, cafetaria e zona de descanso. Poitzamparc ha aggiunto una seconda pelle sul fronte dell'edificio e vi ha fatto serigrafare una versione a grande scala della prima pagi- na del famoso quotidiano francese, attribuen do modernita aH'archileLLum e creando al contempo una presenza che non puo certo sfuggire ai passanti c agli utenti dell'editicio.

Ao adicionar uma camada a frontaria do eclifi- cio e utiliza-la para reproduzir uma versao em grande escala da primeira pagina do tamoso diario gaules, Poitzamparc modern izou a ar- quitectura e proporciona aos transeuntes e aos utentes do edificio uma imagem incontornavel.

La disposicion en hileras horizontales tanto de las vidrieras como del revestimiento interior de lo. Le fasce orizzontali delle vetrate e del rivestimento interno clei livelli al cli sopra del piano terreno attribuiscono continuita spaziale al complesso. A uniao horizontal da superficie vidrada com o reves- timento interior dos pisos acima do res-do- chao cria uma continuidade no espaco.

Los espacios museisticos destinados a exposiciones tem- porales se encuentran en la planta baja y en la inmediatamente superior. Elizabeth de Portzamparc se en cargo del diseno del museo. Completan el proyecto una ca- feteria, una tienda de obsequios, los talleres del museo y sus oficinas administrati- vas y de comisariaclos, ademas cle un auditorio de localidades. Tal como afirma Portzamparc, clesde el principio se procuro otorgar a cada una de las tres institu- ciones una identidad propia y reconocible, al tiempo que se integrasen en un com- plejo unificado.

Las formas basicas son el cono y la piramide invertida. Portzamparc diseno los paneles de re- vestimiento de hormigon en colaboracion con el escultor Martin Wallace. Entre el resto de los materiales utilizados destacan el granito de Lanhenin y otras piedras ex- traidas de canteras locales, que reafirman la vinculacion de esta estructura moder- na con la tierra de Bretana.

II progetto per questo complesso, afficiato tramite concorso nel , riguar- da tre istituti: Gli spazi per le esposizioni temporanee del museo sono situati al piano terra e al pri- mo livello. Elizabeth de Portzamparc si e occupata del design del museo. Una caf- ferteria, una boutique, i laboratori del museo, gli uffici amministrativi e dei curatori, e un auditorium con posti a sedere completano il complesso di Champs Libres.

Portzamparc sostiene che fin dall'inizio era deciso ad attribute un'identita leggibile e separata ai tre istituti malgrado il carattere unitario del complesso. Portzamparc ha concepito i pannelli di calcestruzzo del rivestimento in collaborazione con lo scul- tore Martin Wallace.

Altri materiali utilizzati sono il granito Lanhenin e diverse pie- tre locali, che stringono i vincoli tra questa struttura moderna e la terra bretone.

Este complexo foi concebido para albergartres instituicoes e foi o resultado de urn concurso realizado em A Biblioteca Municipal ocupa cinco pisos, or- ganizada portemas. O Espaco Ciencia inclui urn planetario com lugares, espa- cos para exposicoes permanentes e temporarios e uma zona infantil.

Os espagos para exposicoes temporarias do museu en- contram-se no res-do-chao e no primeiro piso. A concepgao do museu ficou a car- go de Elizabeth de Portzamparc.

A cafetaria, a loja, as oficinas do museu, os servigos administrativos e cle curadoria e, ainda, urn auditorio de lugares completam o Champs Libres. Portzamparc refere que desde o inicio quis dar a cada uma das tres instituigoes uma identidade clistinta e perceptivel, apesar da natureza unificada do complexo.

O Espago Ciencia tern uma forma conica, com o pla- netario esferico no topo. Urn cone e uma piramide invertida sao as formas basicas utilizadas. Portzamparc concebeu os paineis de revestimento em betao em colaboragao com o escultor Martin Wallace. Entre os outros materials usados incluem-se o granito Lanhenin e outras pedras da regiao, reafirmando a ligagao entre esta estrutura moderna e a Bretanha. Kliint wm I til Nelle immagini e nella sezione a clestra, I'inversione dei volumi e le curve bulbiformi facilitano I'identificazione dei diversi elementi della composizione, che esprime una sensibi- ita decisamente scultorea.

A inversao dos volumes e as curvas bolbosas que se podem ver em ambas as imagens, bem como o corte a direita, servem para identificar os varios elementos da composigao, que con- serva urn certo charme escultural. She received her diploma in and left for Milan, where she worked as a designer. She returned to Paris to work with Philippe Starck and Thomson Multimedia before creating her own office in Matali Crasset has designed furniture and domestic objects, as well as exhibitions and interiors.

Her exhibition work includes the "Paris-Milano" and "Bulb" shows for the design magazine Intramuros, as well as the "Tendence" fair in Frankfurt , Archilab in Orleans and several projects for Hermes. She has also created installations that call into question architectural space "Casaderme," Since , Matali Crasset has been in charge of a new design concept for the Formule 1 chain of hotels. Le finestre aggettanti offrono una veduta pa- noramica dell'area attorno aU'edificio, mentre le scale metalliche e le passerelle sospese partecipano dell'impressione generale cli orchestrata complessita.

As janelas inclinadas para fora proporcionam vistas panoramicas da zona que rodeia o edi- ficio, ao passo que as passagens aereas e as escadas metalicas contribuem para a impres- sao global de complexidade orquestrada.

He attended the Ecole Superieure Technique in Geneva, from which he graduated as an engineer in , and the Ecole d'Architecture of Marseille, from which he graduated in He founded his office in Bandol in His early work includes a number of private villas in the south of France.

His first large-scale project was the Stadium in Vitrolles In , he completed the College secondary school in Saint-Ouen; and in a new building for the Luminy Science Faculty in Marseille.

Conce I de la Francia meridional, el Centra Coreografico Nacional incluye una sala le danza con localidacles, cuatro estudios de danza de m 2 , m 2 , m 2 y m 2 , espacios de recepcion publicos, las instalaciones entre bastidores y los vestuarios para los bailarines. Se trata de la sede del Ballet Preljocaj, una reputada compania de danza creada en que ya ha sido objeto de numerosos traslados, siendo el mas sonado su abandono de Toulon en mayo de , despues de que la extrema derecha se impusiera en las elecciones municipales.

El aspecto inusitado del edificio, un entramado de vidrio y hormigon armado negro, da fe de la inventi- va de Ricciotti. Angelin Preljocaj describe la estructura como sigue: Se trata de un lugar para la danza, donde se promueve la creacion desde los primeros ensayos hasta la noche de la actuacion.

Se trata de un hogar para el arte de la danza, una disciplina cuya continua lucha por subsistir ha acabado equipa- randola con las artes marciales.

Inteso come una vetrina dedicata alia danza, il Centra Coreografico Naziona- le, ubicato ad Aix-en-Provence, storica citta del meridione francese, accoglie: II complesso ospita il Ballet Preljocaj, una nota compagnia di danza creata nel che ha cambia- ,to sede in numerose occasioni, come nel maggio , quando lascio Tolone in se- guito alia vittoria deH'estrema destra nelle elezioni municipali. L'edificio si presenta come una griglia di calcestruzzo armato nero e vetro, e il suo aspetto sorprendente denota I'intervento della creativita di Ricciotti.

Un luogo dedicato alia danza che sostiene I'atto creativo dalla primissima prova fino alia sera della rappresenta- zione vera e propria. Un luogo, una casa per quest'arte che tanto ha clovuto lottare per sopravvivere da somigliare quasi a un'arte marziale. Pensado como uma montra da danga para a historica cidade de Aix-en-Pro- vence, no sul de Franca, o Centra Coreografico Nacional dispoe de urn teatro de danga com lugares, quatro estudios de danga m 2 , m 2 , m 2 e m 2 , espacos publicos para recepgoes, bastidores e balnearios para os bailarinos.

A companhia residente e o Ballet Preljocaj, uma afamada companhia de danga cria- da em que ja mudou varias vezes de casa, tendo abandonado Toulon em Maio de quando das eleicoes autarquicas saiu urn resultado favoravel a extre- ma direita. Marcada por uma teia de vidro e betao armado preto, o invulgar aspec- to do edificio denota a presenca criativa de Ricciotti.

E urn lugar para a danga, onde a criagao e apoiada cleste os primeiros ensaios ate a noite da actuagao. Urn lugar, uma casa para arte da danga, cuja luta constante pela existencia ja equiparou a dan- ga contemporanea a uma arte marcial. Nelle folografie, scattate prima deH'inaugura- zione, I'esterno annerito potrebbe far pensare a un edificio in fase di costruzione, ma in realta Ricciotti cerca chiaramente di sfidare il tradi- zionale buonsenso, in particolare nel contesto di una struttura dedicata alia cultura.

O exterior escurecido da estrutura poderia fazer lembrar urn edificio incompleto nestas fotografias tiradas antes da inauguracao, mas, na verdade, Ricciotti esta objectivamente a tentar por em causa a sabedoria convencio- nal, em especial no contexto de urn edificio para actividades cullurais. He received his architecture degree in from the Ecole des Beaux-Arts in Paris and taught there from to Today the office employs up to persons and provides interior, architectural and urban design as well as engineering services.

Situado junto al mar Mediterraneo y la Promenade des Anglais, el famoso pa- seo maritime de Niza, el hotel se construyo en colaboracion con los empresarios Phi- lippe Chapelet y Patrick Elouarghi en un edificio de los anos treinta que antano habi'a albergado una pension.

Las 38 habitaciones del hotel se dividen en nueve tipos dife- rentes, y se han creado con la intention explicita de desafiar cualquier idea precon- cebida en cuanto a diseno y uso del espacio. En teoria, las habitaciones de los huespedes se seleccionan en funcion de un cuestionario que estos cleben rellenary que determina el diseno mas adecuado para sus personalidades. Las mesas se con- vierten en camas y las camas en baneras, mientras Crasset se inclina poderosamente hacia formas innovadoras en cuanto a la organization de interiores.

El Happy Bar, situado en el centro del hotel, bana a los vi- sitantes con los colores saturados tan tipicos de esta arquitecta y con audiovisuales parcialmente realizados en su despacho. En una iniciativa relacionada con este hotel, Crasset creo Hometrack, un sistema que permite a los espectadores programar sus obras de arte contemporaneo favoritas para visualizarlas en un televisor con una co- nexion telefonica digital.

La vajilla de porcelana blanca para las cenas, denominada Link, que Crasset diseno para el Hi fue confection ad a por la Manufacture de Porcelaine de Monaco. Cada servicio consta de cuatro recipientes, con un cuenco que hace las veces de taza, una taza de te que sirve de plato hondo y asi sucesivamente. La disenadora especifica incluso los modales optimos para comer en su concepto de diseno.

F Communications, un sello de musica electronicafrances, se encargo de crear el entorno sonoro para el hotel bajo la supervision de Crasset. Ubi- cato vicino alia costa del Mediterraneo e alia Promenade des Anglais, il piu celebre lungomare di Nizza, I'hotel e stato realizzato in collaborazione con gli imprenditori Philippe Chapelet e Patrick Elouarghi in un edificio degli anni Trenta che in passato era occLipato da una pensione.

Le 38 camere della struttura presentano nove tipologie different! In teoria, per I'assegnazione delle camere, i clienti sono invitati a riempire un questionario inteso a determinare lo stile che meglio si adatta alia loro personalita. Crasset si lancia energicamente alia ricerca di forme alternative di distribuzione degli ambienti, lacldove un tavolo si trasforma in letto e un letto diventa una vasca.

Attraverso un'iniziativa similare, Crasset ha creato Hometrack, un sistema idea- to per permettere ai telespettatori di programmare le loro immagini preterite di arte contemporanea mediante una connessione telefonica digitale. L'Hotel Hi si inserisce alia perfezione nel contesto creativo di Matali Crasset, ma rappresenta il suo primo tentativo maturo di dar vita a un progetto di total design in cui si e occupata di ogni aspetto, dalla grafica agli arrecli e aH'architettura d'interni.

L'artista ha disegnato per Hi un servizio da tavola di porcellana blanca chiamato Link, fabbricato da Manufacture de Porcelaine de Monaco. E composto da quattro contenitori, con una ciotola da uti- lizzare come tazza, una tazza da te che funge da scodella e cos via. L'artista arriva al punto di includere le tradizioni dello stare a tavola nella sua concezione del design. F Communications, una casa discografica francese dedicata alia musica elettronica, ha creato I'ambiente sonoro dell'hotel sotto la sua supervisions O Hi Hotel em Nice, da autoria de Matali Crasset, abriu as suas portas em Mar- co de Situado perto da costa do Mediterraneo e da Promenade des Anglais, a principal avenida marginal de Nice, o hotel foi criado em colaboracao com os em- presarios Philippe Chapelet e Patrick Elouarghi num edificio da decada de , onde outrora funcionava uma pensao.

Os 38 quartos do hotel sao de nove tipos diferentes e foram criados especificamente para desafiar os pressupostos de concepcao e utili- zagao do espaco. Em teoria, os quartos clos hospedes sao escolhidos em funcao de urn questionario que Ihes e apresentado, de modo a fazer corresponder os designs com as personalidades.

Uma mesa que se transforma numa cama e uma cama que se transforma numa banheira sao modalidades que Matali Crasset encontrou para dar urn salto entusiastico no sentido de formas alternativas de organizacao do espaco in- terior. A designer chega ao ponto de incluir normas de etiqueta no seu conceito de design. A F Communications, uma editora de musica electronlca france- sa, criou o som ambiente para o hotel sob a supervisao de Matali Crasset.

El propietario del edificio, la importante compania de seguros AXA, decidio clesde un principio que clemoler la construccion resultarfa prohibitive y, partiendo de esta premisa, organizo un concurso en el que participo, entre otros, el despacho de arquitectos de Miami Arquitectonica.

Dado que las normativas de construccion locales no permiten un aumento de la su- perficie total, los arquitectos cavaron espacios subterraneos en zonas poco utiliza- das, reduciendo el espacio util al tiempo que permitian la entrada de luz en las zonas situadas por clebajo de la rasante. Esta estrategia relativamente sencilla les per- mitio incremental- las climensiones meclias de superficie util de m 2 a m 2 en las partes del edificio situadas por encima cle la rasante, cuyo tamano actual se con- sidera ideal cle acuerdo con los parametros del mercado inmobiliario parisino.

La nueva fachada de viclrio semirreflectante se erigio en sentido ascendente. Gli architetti sono stati incaricati clella ricostruzione della Torre del Credit Lyonnais edificata nel nell'area meridionale del quartiere di La Defense a Pari- gi.

II proprietario clell'edificio, la grancle compagnia di assicurazioni AXA, aveva cal- colato che la demolizione della struttura esistente avrebbe comportato un costo proibitivo e organizzo un concorso al quale partecipo, tra gli altri, lo studio Arqui- tectonica di Miami.

Dal momento che le normative locali non consentono I'am- pliamento della superficie calpestabile totale, gli architetti hanno eliminato alcuni maggior illuminazione naturale dei volumi sotterranei. Questo gesto relativamente semplice gli ha permesso di aumentare la superficie media dei piani al di sopra del livello del terreno, che e passata da m 2 agli attuali m 2 , considerata attual- mente come una dimensione ideale per il mercato immobiliare parigino. Os arquitectos foram chamados a remodelar a Torre do Credit Lyonnais construi'da em no lado sul da zona da Defense, em Paris.

O proprietario do edificio, a grancfe companhia de seguros AXA, chegou a conclusao de que demolir a torre existente seria demasiado caro e, por isso, convocou urn concurso no qual participaram a empresa Arquitectonica, cle Miami, e outras. Como os regulamentos de construcao da zona nao permitem o aumento da area coberta total, os arquitectos adaptaram espacos sub- terraneos pouco usados, reduzindo respectiva a area coberta, mas trazendo luz as zonas subterraneas.

Este gesto relativamente simples permitiu-lhes aumentar a area media de cada piso acima do solo de m 2 para m 2 , que e actualmente considerada a dimensao ideal para o mercado imobiliario de Paris. Em seguida, foi aplicada a nova fachada de vidro, de baixo para cima. I I I I B oohooooohooooonooooo oo ooooo ooooo ooooo oo ooooo ooooo ooooo ooooo ooo ooooo ooo ooooo ooo Los arquitectos hicieron un espectacular ejercicio cle actualizacion para poneral di'a el diseno desfasado cle la torre.

Para ello, modificaron por complete, la fachada y ana- dieron mas superficie en planta, al tiempo que cavaron bajo tierra para llevar luz a las zonas subterraneas e incremental" su funcio nalidad y uso. Gli architetti hanno riformulato in modo spet- tacolare I'antiquata configurazione della torre esistente, modificando completamente la fac- ciata, aumentando la superficie calpestabile e scavando nel lotto per dare luminosita agli spazi sotterranei poco utilizzati in precedenza.

Os arquitectos submeteram a concepgao antiquada da torre a uma espectacular transformacao, alterando completamente a fachada e aumentando a area coberta, ao mesmo tempo que procecleram a escavacoes para levar luz a zonas subterraneas que antigamente eram pouco usaclas.

A la hora de abordar la remodelacion de la torre, cuya fachada antigua era identica en todas sus caras, los arquitectos estudiaron e emplazamiento y factores como la exposicion solar para diferenciar las superficies de la nueva torre. Su ingenioso metodo consistio en introducir elementos de soporte hasta el nucleo del edificio para luego desmantelar la fachada de carga antes de forrarla con un nuevo revestimiento y anadir mas espacio en planta.

Se il vecchio edificio presentava facciate identi- che su tutti i fronti, gli architetti hanno voluto dif- ferenziare le superfici esterne della nuova torre in funzione deH'ubicazione e di altri fatten come il riscaldamento solare. Seguenclo un ingegnoso sistema, hanno inserito degli elementi di sosteg- no nel nucleo della struttura per poi demolire le facciate portanti, creare un nuovo involucro e aumentare la superficie calpestabile. A antiga fachada da torre era identica em todas as faces, mas os arquitectos estudaram o local e factores como a exposigao solar para diferenciarem as superficies da nova torre.

O engenhoso metodo que adoptaram consistiu em introduzirsuportes ate a parte central do edificio e, depois, desmantelar a fachada cle sustentacao antes da construcao da nova fachada e da ampliagao da area coberta. Come di consueto, gli architetti adottano una combinazione di elementi metallic piuttosto compatti, come le scale a sinistra, e lisce su- perfici in bianco e nero, come nell'immagine in alto.

Normalmente, os arquitectos utilizam urn a combinacao de elementos metalicos bastante clensa, tais como as escadas a esquerda, e superficies brancas e negras como se pode ver na imagem acima, FLOOR AREA: Para ello escogio un solar de 44 hectareas sito en Gouvieux, en las proximidacles de Paris y del castillo de Chantilly. Al erigir un edificio semicir- cular de altura reducida directamente frente a la antigua estructura que restauraron por completo , los arquitectos lograron proporcionar al cliente la imagen tradicio- nal francesa que este buscaba, al tiempo que anaclian salas para la imparticion de clases e instalaciones de alojamiento y ocio en un estilo marcadamente moderno.

Tanto la jardineria de estilo trances como la obra de Edwin Lutyens fueron influen- cias para los arquitectos, que, por encima de todo, demostraron una gran capaci- dad para fusionar lo antiguo y lo nuevo de modo convincente, sin dar vicla a un pastiche posmodemo.

Gli architetti hanno collocato un basso edificio semicircolare di fronte alia vecchia struttura, restaurata integralmente dagli stessi progettisti, riu- scendo a configurare I'immagine dell'architettura tradizionale francese che il ture per l'alloggiamento e il tempo libera in stile chiaramente moderno. L'interven- to manifesta I'influenza di Edwin Lutyens e dei giardini alia francese, ma soprattutto climostra la capacita degli autori di mescolare antico e moderno in un modo con- vincente che invalida ogni allusione ai pastiche postmoderni.

Ao implantarem urn edificio baixo e semicircular a frente da ve- Iha estrutura, que foi integralmente restaurada, os arquitectos conseguiram propor- cionar ao cliente a imagem de tradicao francesa que este procurava, ao mesmo tempo que acrescentaram salas de formacao, alojamento e instalacoes de lazer com urn estilo vincadamente moderno.

A concepgao francesa dos jardins e o trabalho de Edwin Lutyens influenciaram os arquitectos, mas, acima de tudo, demonstraram ca- pacidade para unir o antigo e o novo de uma forma convincente, que nao denota qualquer semelhanca com urn pastiche pos-moderno.

Los alzados de abajo subrayan el modesto di- seno, que en ningfm caso pretende competir con la estructura antigua. La planimetria generate in alto mostra come la nuova struttura, composta da un semicerchio e da volumi rettangolari, si colloca di fronte al castello esistente e reagisce alia sua presenza. I prospetti in basso mettono in evidenza il mo- desto sviluppo in verticale del progetto inteso ad evitare un'inopportuna rivalita nei confronti dell'architettura esistente.

A planta do lote acima mostra como a nova estrutura, composta porsemicirculos e rectan- gulos, se relaciona com o castelo preexistente Os alcados abaixo realcam a concepcao rasa do edificio, que evita uma ind'esejavel concor- rencia com a arquitectura rriais antiga.

M De hecho, los arquitectos renovaron integra- mente el Castillo. La imagen de arriba permite apreciar la ubicacion de los nuevos edificios bastante por clebajo de la Knea del tejado de castillo. L'immagine in alto mostra ancora come il nuovo volume si mantenga assai piu in basso rispetto alia copertura del castello. Na verdade, os arquitectos renovaram o castelo preexistente na totalidade.

A imagem acima mostra como os edificios novos fleam bem abaixo da cota do telhado do castelo. Los arquitectos analiza- ron detenidamente detalles como las colum- nas de la imagen de arriba para transmitir la impresion de una aitesania esmerada.

Gli architetti hanno studiato al dettaglio ogni particolare dell'in- tervento, come le colonne in alto, che offre un'impressione generale di attenta fattura. Pormenores como as colunas que se veem acima sao fruto de um cuidadoso estudo dos arquitectos, dando a impressao de uma apurada execucao. In , he received a fellowship to study city planning at Harvard, where he obtained his Master's degree in In , Viguier founded his own agency, which now has a staff of 60 people.

Their main built work includes the Cceur Defense towers, Paris ; France Television headquarters, Paris ; a large commercial center, Meulun Senart ; the Mediatheque Cathedrale, Reims ; the Water Tower Hotel, Chicago ; and the French ministry of sports, Paris El en cargo cle Jean-Paul Viguier consistia en crear una nueva entidad unitaria partiendo cle las tres partes en que se dividia este proyecto: El arqui- tecto tambien asumio la responsabilidad cle disenar el museo.

El nuevo edificio consta, en esencia, cle clos plantas de exposiciones cle climensiones generosas y abundante luz, mientras que las actividades y los servicios de information se concen- tran en el edificio antiguo.

La fachada cle vidrio curva, de metros de longitud, se erige como el elemento arquitectonico que cohesiona lo antiguo con lo nuevo y con el jarclin botanico. El diseno sobrio y horizontal de este nuevo anexo al museo ha sido concebido para permitir que el edificio antiguo y la iglesia vecina continuen desem- ' penando sus respectivas funciones en el seno del contexto urbano en que se erimar- can.

En cuanto al diseno del museo, Viguier queha trazar una linea divisoria muy nitida que separase los objetos con valor historico autentico de aquellos concebidos como una evocation cle la historia natural, con el objetivo de desmarcarse en cierta medida de la tradition francesa en este ambito. Como el propio museo, que hace uso de una estructura ya existente, el jardi'n ha sido disenado en torno a los especimenes plantados previa- mente.

L'incarico affidato a Jean-Paul Viguier prevedeva la creazione cli un nuovo com- plesso unitario attraverso tre interventi: La nuova costruzione si articola essenzialmente in due grandi livel- li espositivi a pianta libera, mentre gli spazi operativi e di informazione sono concen- trati nel vecchio edificio. Una facciata curva di vetro lunga metri e stata concepita come elemento architettonico unificante nei confronti dei volumi esistenti, clella nuo- va costruzione e del giardino botanico.

Xavier Ratinsky, LCR, Toulouse seo, sobria e orizzontale, intende rispettare il ruolo svolto dalla struttura esistente e dalla chiesa vicina nel contesto urbano. Per quanto riguarda la funzionalita degli spa- zi, Jean Paul Viguier ha voluto stabilire una separazione netta tra gli oggetti di valore storico e gli elementi destinati aH'illustrazione clella storia naturale, assumendo quindi un atteggiamento in certo modo contrastante rispetto alia traclizione francese del set- tore.

Cosi come il museo utilizza una struttura esistente, an- che il giardino e concepito a partire dagli elementi vegetali gia presenti nel sito. A missao de Jean-Paul Viguier consistia em criar uma nova entidade unificada a partir das tres partes deste projecto: Still, Yarrow said, items such as pajamas, robes and slippers remain holiday favorites. The same approach was used when some 30 employees of Gap stores in Virginia volunteered to help unload trucks for an episode of ABC's "Extreme Makeover: We took our time and ate and drank for hours while gearing up and waiting for the sun to get a little closer to the valley floor.

You can take a very limited education and do wonders with it. On the other hand, you can take the best education that money can buy and do nothing. You can always build on the foundation that is laid, if you have the right spirit. Lovefoxxx, the lead singer from CSS, will be the fashion icon. Are there any other behind the scenese tips from this shoot?

As long as they can't be missed, you're good. Someone less in tune with fashion history would call this "overkill. It's called "matching" and it never occurred to anyone 30 years ago that it could be a bad thing. Despite the 90 degree weather, Natalia insists that she must wear her new silver sequinedUgg boots found in the pile of clothes brought by community members.

Natalia modeled her new shoes for all to see, hiding her broad smile behind her freshly washed hair. We chose spicy risotto and pasta. She left for the day before bringing them and the person who seemed to be in charge brought just the pasta. We explained we had been given two options and that we had also ordered the pasta you'd expect someone would have come to us, explained the mistake and clarified which dish we wanted. When we explained that my wife does not like spicy food, we were responded by a blank stare and told only one was part of the deal.

He may talk about his new pair of shoes with the guys, but if he's comfortable enough to gush over a pair in your presence bingo! Now you can surprise him with a pair that totally tops off the rest of his shoe collection.

For men who go to the beach or gym often, or find it essential to own an array of flip flops, you'll find that even these are a great addition to his collection. De esta forma, estars cmoda, arropada y elegante, matando tres pjaros de un tiro!

This was very helpful article, I wish I would have read it before I got my tattoo. It wouldn't have stopped me as I'm sure wasn't her point in writing this purely informational but I would have been prepared and known what to expect.

But of course everyone is different. In previous interviews over the past year, Rachel Zoe and Michael Kors have sung their praises. And it's always a similar tune: They are for the moments when comfort counts and conditions allow.

Frank was 15 years old. Three months earlier she had written, "After the war I'd like to publish a book called The Secret Annex. Yet I cling to them because I still believe. Scores were as follows; 5th lost 32 14 , 6th won 46 0 , 7th won 56 0 , and 8th won 26 0. Kudos to all the coaches and players as well!!! From the mid s until Hugh worked as a design and marketing consultant to numerous outdoor brands in addition to a stint as marketing manager for Paddy Pallin.

He says trekkers perusing the latest lightweight fad should do their homework, as today's bit of kit may not always be better than yesterday's. His patients will take the shots, but give up the shoes? For the first time, Costco Wholesale has been identified as the No. In prior years' surveys, Costco was in second place behind independent local eyeglass shops.

Now the indies are taking a backseat to Costco! Dithering, sky gazing, gaily bewildered and cheerily lost. I've not yet seen a dime, though by way of some guilt appeasing Antipodean rent I've eaten more pineapple lumps this year than I ever did at home. Only a country that chose a Kiwi as its national animal could have "lumps" as its apparent national food.

Yes, with 54 million, it's mattress to mattress, marae style living in my Spanish Harlem pad. It's the result of convenience and prickly pockets rather than a measure of my popularity. I guess you can stay. Of course, Christmas in New York is a particularly tourist heavy time, crawling with wistful romantics. But any tourists heading north for the 25th should keep in mind a few salient reminders: Snow looks good in pictures but the unfortunate by product is that it's generally very cold.

And dog shit freezes, too, so you know you've stepped in it only once your Ugg Boots are thawing next to your marae style mattress in the middle of my lounge room floor.

And you aren't the only one with rose tinted notions of a white Christmas in New York. You want hot roasted chestnuts and to skate at the Rockefeller and sip eggnog under the tree? So do about 54 million others.

Please check your inbox and click the verification link to complete the registration. Once you login, you can post further comments and view comments made in your profile. Even if it is one person at a time. I started off in London thinking how much everyone like aussies and they all wanted to talk about you and australia but as the months went by I began to notice what you are talking about.

As well as seven specially themed rides, "enchanted" buildings and play areas to explore, there's a caf and ice cream parlour. The shock was that the teenagers were, perhaps for the first time in their lives, not allowed to do what they wanted. What they wanted was to express their outrage to a government that seemed determined to spoil things for them, but while also keeping warm, having a snack when they wanted to, having a pee when they wanted to, and going home for tea when they wanted to.

When the police, who had been humiliated by their failure, a couple of weeks before, to stop teenagers from storming the British Bastille, made it pretty damn clear that nobody was going anywhere until they said so, which, out of sheer spite, wouldn't be for quite a while, the teenagers sent shocked text messages to their mums, some of whom had phoned their teachers to explain why Elsa they all seemed to be called Elsa would be missing double citizenship studies.

Everyone says stupid things, but I always dwell on what I said. The hazy memory doesn't help, because I never know for sure exactly what I've done or said, so I try to recreate everything and feel embarrassed. A typical scenario at a local small business: The driver barks, "Twenty on No.

A victim of laced cannabis has revealed how he spend 20 years fighting a desperate drug habit. The demand for certain species was so high that many volunteers didn't get their first choice but most were still keen to take part. How can a man of my positively legendary cravings ever convince anyone that I can't have just one more bite? If I turn my nose up at a shrimp and ginger wonton, I risk offending the entire Fifteenth Ward.

I just might have to put new traffic lights up and down Canal Street. Bibimbop, halvah, or chitterlings, a man in my position can't refuse hospitality. It does not promote domestic tranquility. These days that's practically a matter of national security.

It is positively antediluvian not to recognize that. Dave Spencer A young brunette girl who looks eerily similar to Tom Cruise and Katie Holmes' daughter was seen entering the eatery minutes before the real Suri Cruise. We climbed the pins a few weeks before, but not all in one day. So I knew what kind of difficulty it would be and the effort it would take to do this project. John said, "I want to climb them all in one day. We waited for nice weather and needed to find a competent climbing partner.

Cheyenne Chaffee was our man. He is a climbing guide up in that area and said he could do it on his day off. We scouted most of the pins and the angles but some shots were improvised that day.

Aside from being irritating, conspicuous drunks are much more likely to get you caught and attract attention. Make a quiet and calm affair, not a raucous party. Born on July 11, , in Preeceville, she was educated at Usherville and Endeavour schools.

Following the death of her parents, she farmed with her sister, Jeanne. She drove a school bus for about 10 years. Predeceased by her mother Grace in , and her father, Howard in , she is survived by a sister, Jeanne. She was 81 years of age. Elsie was one of 12 children born and raised on the family farm near Rhein, Saskatchewan.

In July Elsie was united in marriage to Fred Bodnaryk. Together they ventured out to Kamloops, BC and worked at the Tranquille Sanatorium for almost 1 year. They came back to help and take over the family farm near Hamton, Saskatchewan. They moved to Yorkton in and she continued to help Fred with the farm. Elsie will be remembered as a very hard worker who took pride in her work. She was an excellent homemaker, wonderful cook and an exceptional vegetable and flower gardener.

Elsie endured many years of serious illness and surgeries throughout her life. However, when she was diagnosed with Alzheimer's she was admitted to the Yorkton District Nursing Home in May, as the disease gradually took over. Prayers were held on Sunday, September 13th at St. Elsie's niece, Jan Gallant sang Amazing Grace as a tribute. Peter Pidsklany as the Celebrant. The crossbearer was John Ostrowercha and the epistle reader was Brittany Holowatuk.

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I massaged his litle tummy lightly for a few mins which he seemed to love anyway. While I slept he made one movement that was black and the size of a mans middle finger and the one next to it. Then I found another one which was loose but a little more of it. It was no longer black. He ate 2 scrambled eggs without the ham and ate about half of it.

It also had a half piece of sandwich bread. He didnt seem as thirsty this morning but he could be getting water out of the cattle watering tank. He was also one of the first fashion figures to license his name, an experiment that failed miserably at the time but paved the way for the democratization of fashion as we know it today.

And now, the latest iteration of his design legacy, the contemporary brand Halston Heritage, has a new home at the Beverly Center shopping mall. Hall, in the business for 22 years and now on his own with a new atelier, laughs, embarrassed at confessing he sings Puccini in the shower. She has not seen in him more than two years.

She will have to wait another few days, though. The few customers who braved the elements found some tubers and onions, a few apples, cultivated mushrooms, hothouse greens. Many other frostbitten cities simply forgo the open air markets until spring. A lack of accommodation has prompted Aberystwyth University to write to all non UK European students who have been offered a place to ask if they can delay until September The university said it could not guarantee all of its students accommodation this year.

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Anyone who has experience in the mountains knows the unpredictability of the weather. The tour company you travelled with had nothing to do with your of getting out on time.

You were just fortunate enough to have a confirmed seat on the day the flights started moving if your flight had been scheduled on a day that no flights left, you too would be added to the waitlist. All people who fly into Lukla have confirmed reservations with excellent tour guides working on their behalf!

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We went to Colombia for about ten days, spent time in Cartagena on the coast, went north west of Cartagena to a house on the beach. And then we went on our honeymoon a couple years later, still with some of The Amazing Race money. We went to Thailand, Tokyo, Kyoto and Japan. JPG]ugg boots 10 4 5.

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There may be a delay before it appears on the site due to high volumes and comment moderation on some articles; however we endeavour to post all your views, within reason, so please check back laterOur Regional News StoriesThe Northern AdvocateRosemary McLeod: No secret they're dodging justice Are they bad guys masquerading as good guys, or the other way round?

Great to be in Charleston. Call, 1 Wait Wait to play our game in the air. Hi, this is Patricia deOliveira. Actually we just did a really big dinosaur dig in Alberta, Canada. Here you have a place that isn necessarily known for dinosaurs like Mongolia, Patagonia, or China. But we were in the largest, possibly densest find of dinosaur fossils ever. The number of species of dinosaurs that we know is really just a fraction of what was really out there. So there constantly new discoveries with that.

I think that while we have been to most places on terra firma, there are so many things just right in front of us that are unveiling themselves with new scientific methods. To her surprise, Mitchell found herself ultimately won over by the story line, even as she realized, "Any time characters fall in love and are happy on 'Lost,' that's kind of the end for them.

Most people associate it with the steel industry, smog, pollution, etc. It is actually quite beautiful. Thanks for sharing your visit. Was that Irving Street or Broadway? I would like to publicly acknowledge and thank the many talented students of Dieruff High School for their outstanding presentation of "Hairspray.

They sang and danced with such energy, spirit and enthusiasm; I was moved to tears as my heart soared with pride for these hardworking and extremely talented kids. The thunderous standing ovation they received said it all, and they deserved every shining moment of it. Everyone involved in Dieruff's production reminded us what Husky Pride truly is and, this grateful alumna believes, it was carried out in the hearts of all who attended.

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I immediately fell in love with the ocean and spent most of my time chasing minnows in the tide pools. When I was 12, which, at the time, was the minimum age that one could be scuba certified, my dad offered to sign us both up for the class. I guess his thinking was that it was an activity we could do together for the rest of our lives.

Unfortunately he didn't like it very much. Our first dive in the ocean was a wall dive off of Turks and Caicos. The wall extended well below any sort of visibility. We hovered at feet, but the darkness below was a little unnerving even for experienced divers. I think it was a bad choice for a first dive. We've been talking recently about going again somewhere mellow, like the Florida Keys, where he could get comfortable in shallow water first.

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But their success was also their undoing. Counting the Beat was a huge hit in '81 but they couldn't follow through with another single or live shows. They broke up in ' In '87, at the suggestion of Neil Finn in whose house he was living, Hillman was taken into a cornerstone Australian rock band, Midnight Oil.

With Peter Garrett's decision to officially leave the band last year he is now pursuing a parliamentary seat for Labor Hillman moved back here eight months ago, has recorded with the Finn brothers in the States for their forthcoming album, and is currently recording with Dave Dobbyn. Time for a chat. What's the one thing about a life in rock'n'roll that no one warns you about? That you have got to be prepared to spend 10 years on the bottom of the pile making less money than anyone else. So the advice is, "Start young".

So you can be in a band like the Oils which has sold 2. And you've got to attend to things really well. I've been in bands where you go into a music shop and take things on credit and don't think who's paying for it. But at some point there's a summary and you've got to square things up. Do you have copies of all those albums and singles you played on?

A lot I do, actually. The 70s New Zealand stuff I'm missing a little bit. I had a flat in Parnell that got knocked off so I lost a bit of stuff, so it's not too bad. And now it's been released on CD. Do you ever just have a guilty pleasure night when the missus is out and play them to yourself and dance like a lunatic? In fact they live in a big silver trunk in the garage. There's our record collection and then there's work. You'll find none of them in our house or on the shelf.

There's a couple of them on the iPod and that's about it. So you consider your stuff work and other people's music pleasure? Yeah, because if I put someone else's record on I don't have the memories. One of our own albums means you flash back to the time and maybe reflect on your life then and where you did it. Not always happy memories, then? Some are better than others. Some records can be tedious to make and some a pleasure. It'll always be that way. Was it too politically correct for sex and drugs and rock'n'roll?

It had its moments. Obviously someone like Peter was always out there in the public eye so had a clean slate, but we had road crews and tours.

It was still a rock band. Peter Garrett is standing for parliament. You know the man and his politics. Would you vote for him? Yeah, but I dunno about the Labor Party in Australia. That was a bit of a shock. I actually thought he would appear doing something for the Greens, but I haven't had much contact with him in the past two years. A few business emails and that's about it. I find it intriguing in one comment he said he'd mellowed with age on a couple of his stands.

I guess if anyone joins a major party as a back bencher then they have to adhere to party policies. But we'll see in years to come. I guess he'll make a play and knock everyone else out. You've seen that before then?

You had a side project in the Oils, the Hunting Party. Not really, the Oils took a year off we did it a couple of times and I got immensely bored. I became sick of being alone in my home studio. So I got together with a talented piano player, Chris Abrahams, and put that together. I'd cruised through the first three months of summer and thought it was fantastic but once winter set in I got lonely.

The phone never rang. It would always ring when we were touring because people would want to be on the guest list or get a copy of something. As soon as we took time off it stopped. That's a result of nine months touring: The nature of rock'n'roll is you lose contact with friends and family because you are gone for so long. I've moved back here and it's been amazing, re establishing relationships which had been dormant for 15 plus years.

You're recording with Dave Dobbyn now. Do you have time to do your own thing at all or is it taken up with other commitments?

I sometimes think I should do something but I don't work that well on my own. I'm not that disciplined. I work better in rooms with no windows; I find myself gazing out the window watching the people next door excavating their garage. I'm better off teamed up with somebody. I'd like to follow through with Dave as much as possible, I think I'll die from laughter working with him. Even as he announced that the family accepted the new conclusion, Everett's nephew, Brian Ruess, confided that he believed Aneth Nez's dark tale about witnessing the murder of a young white man in Chinle Wash.

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Anne worked hard at establishing a normal life under such remarkable circumstances, and in her effort we find a true survivor. Born on April 13, , in the Preeceville district, he attended Etoimamie Valley School and worked as a farmer and on road construction for the Department of Highways. He married Elsie Horhut on July 11, at St. James Anglican Church in Endeabour and they farmed until moving to Sturgis in Predeceased by his parents, Alvin in and Dora in , he is survived by two daughters, Karen and Sharon Allan ; a brother, Walter Rose ; two sisters, Evelyn and Gladys Fred and five grandchildren.

And why Frost decided to restrain the man until police arrived. And perhaps even why, in , Frost ended up being Tasered by Chandler police in his home after a squabble with his wife. That's the problem with the race, especially for someone like me who really enjoys going to less developed countries and places that are unlike home. On The Amazing Race, you don't really have a chance to soak it up, enjoy it, spend time with local people.

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I'm too much of a perfectionist, and my own worst enemy. I give myself a hard time about everything. I want my private and working life to be flawless. I keep a notebook and my laptop by my bed, in case I think of something during the night. I am privileged and I don't take that for granted at all.

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Just spend some time at a park where lots of families hang out and you know what I mean. Senses dull, judgment falters. Like wearing purses on your feet. As you report messages as spam, Gmail will improve its automatic filtering. The next day, he dressed his 5 year old daughter for school by bundling her into a T shirt under a long sleeved shirt then a thick sweater beneath a ski jacket, tucked her tracksuit pants into her ugg boots and pulled a beanie down over her head and tied it on.

It would have been the most clothing she had ever worn in her life. Cheleyna's first words as she walked outside and felt the morning air slap her face were, "Dad, the cold's hurting my eyes! Appreciating the commitment you put into your blog and in depth information you offer. It's nice to come across a blog every once in a while that isn't the same out of date rehashed information. There's no sign of any post injury nervousness, either. As I paddle back out from another mediocre ride in the white water, she gets up on a wave and surfs straight at me before making a last minute turn which sends an arc of spray over me.

After flailing around, I roll off my board in alarm. Laughing and paddling over, she shouts across an apology. I was just joshing with you that's what me and my friends always do in the water. Formerly world's richest man. But he's not as rich as he would be had he not done business with Snyder. The purpose of this set is to give students hands on experience making electricity using sunlight. See what inside the set, and then see how to wire three different types of electrical circuits: Si tus pantalones son caqui y tienes la opcin de ponerte shorts, pantaln o falda, opta por los shorts porque son muy prcticos para hacer de todo.

Some teams got the distance wrong and got the correct answer from another team and did begin over. Only the cowboys went back to the beginning but lost out because this ethical decision put them at the end of the pack.

I've lost confidence in the program and may not watch it again. Maybe the cowboys wouldn't have won anyway but they should have been given the chance. Have you ever gotten money back from taxes? Please don make me school your uneducated ass anymore. You also clearly a closed minded fuck to think France is Have you even been there?

Probably not, Art, which by the way, the French excel at. Now that I tracked your IP address, I be sure to send them to your door to drop off some textbooks on the topic of Socialism and humility.


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